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"That is absurd," says Rodney; "and your own words refute you. That man called Moore cared for you, and very great impertinence it was on his part." Hurriedly she gets into her furs, and, twisting some soft black lace around her throat, runs down the stairs, and, opening the hall door without seeing any one, makes her way towards the appointed spot. "Are you sure?" asks he, his face brightening. "Remember how they have drawn back from me. I was their own first-cousin,—the son of their father's brother,—yet they treated me as the veriest outcast.".

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"What a little patriot!" says Rodney, pretending fear and stepping back from her. "Into what dangerous company have I fallen! And with what an accent you say 'your queen'! Do you then repudiate her? Is she not yours as well? Do you refuse to acknowledge her?" "What have you got behind your back?" says Geoffrey, suddenly, going up to her. For a little while they are silent. He is thinking of Mona; she is wrapped in remembrance of all that has just passed. Presently, looking at her, he discovers she is crying,—bitterly, though quietly. The reaction has set in, and the tears are running quickly down her cheeks. When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good..